Oriental elegance enters the hall
From the ancient couch to the present hall, oriental elegance enters the hall | The third generation of Dajinghua modern Chinese style

The living room is the soul space of the home, hiding all the poetic imagination of Easterners about "gathering".

Here, the warmth of wood grain, the softness of fabric, the luster of metal, and the subtlety of light and shadow all form the chord of oriental life. Let the home become a spiritual field where "the body can live in and the mind can be at peace", and the aura of oriental residence can be integrated into every moment of daily life.


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The sofa borrows the shape of the ancient "couch" to give people a relaxing place to rely on.


Modern interpretation of traditional shapes: The sofa borrows the shape of the ancient "couch" to give people a relaxing rely on. The solid wood frame turns the stretch and stability of the "couch" into a livable daily life. The leg curves coincide with the charm of the "club feet" and "girdled waist" of traditional furniture, conveying the oriental etiquette sense of "sitting with etiquette"; At the same time, simple lines are used to eliminate the heaviness of traditional furniture, allowing the classical charm to be presented lightly in modern shapes.

  

The layers of color and texture of caramel, warm orange and khaki pillows enrich the touch.


Dark solid wood frame outlines a neat and symmetrical frame structure; The light beige fabric soft upholstery gives a full and soft sitting feeling. The rounded armrests and the soft upholstery are naturally connected and have a balanced transition, which is in line with the modern aesthetic pursuit of "simple yet stately".

 

The solid wood frame with embedded metal strips is one of the characteristics of the third generation Dajinghua modern Chinese style.


The solid wood frame under the seat cushion is embedded with metal strips, which not only uses metal to strengthen the structural stability and make the sofa support more durable, but also uses the "wood-clad metal" process, which coincides with the Chinese philosophy of "hiding the utensils in the form" and injects the sophistication of modern industrial aesthetics into traditional woodwork.

   

“"Panel-type" side panel design, "scroll-type" back panel design


The side panels of the sofa are meticulously carved from a single piece of solid wood, and the outline lines echo the ceremonial feel of the “hoardings” of classical furniture. At the same time, complicated carvings are abandoned, and simple geometric shapes are used to convey modern aesthetics.


The back panel adopts a "slightly inclined curved surface" design: it not only conforms to the natural curve of the human body's back, but can gently support the shoulders and back when leaning on it, eliminating the fatigue of sitting for a long time. The curved surface softens the lines and breaks the rigidity of the straight board, allowing the hardness of the solid wood frame to reveal a soft rhythm like a traditional scroll, injecting a more agile oriental elegance into the space.

 

The proportions and shapes of the two-seat and three-seat sofas are adapted to the scale of the modern living room, echoing the background landscape paintings, wooden wall panels and other elements, making the "rest space" a place for dialogue between traditional aesthetics and contemporary life, making oriental elegance a habitable and approachable daily experience.

 

The coexistence of traditional elegance and modern comfort: when your fingertips touch the warmth of the wood grain, and when your body sinks into the softness of the sofa, you will understand: the beauty of the oriental living room is never stunning, but the peace of mind that lasts for a long time.




 

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The TV cabinet/base cabinet adopts a symmetrical layout, echoing the sense of etiquette of "balance and harmony"; The open partition in the middle and the closed cabinets on the left and right continue the Chinese space aesthetics of "concealing and exposing appropriately".

 

The horizontal wood grain stretches like a river, and the vertical wood grain resembles stacked mountains.


Built-in soft light strips, under the dim light, the utensils and wood grains appear more elegant in the light and shadow.

Carrying the natural warmth of the Chinese style of "using wood as beauty", the directional wood grain splicing process allows the wood grain direction and texture of different plates to naturally connect, retaining the randomness and vitality of the natural texture of solid wood.

 

 Base cabinets provide order to people’s lives with clever storage


The alternating light and dark of the hammered metal panels and the gleaming and exquisite metal handles further enhance the craftsmanship and reveal the sophistication and sophistication of modern Chinese style. They inject modern light luxury texture into solid wood, allowing traditional woodwork to take on new life in the collision of materials.



  

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The coffee table is made of solid wood and provides a place for leisure.


Drawing on the low and stretched form of the traditional "low couch table" and the stable and supporting form of the "Xumizuo" base, the space aesthetic design is improved. The coffee table surface has a "tray-style" shape with slightly warped edges, which is a good way to gather items delicately. The wide and thick solid wood legs are simple and powerful, echoing the "solid and steady" temperament of Chinese furniture, and paired with the sofa to create a relaxed and enclosed communication atmosphere.


 

Through parquet technology, wood veneers of different wood grains and colors are spliced ​​together in an orderly manner like a checkerboard. This not only preserves the warmth of the natural texture of solid wood, but also uses precise craftsmanship to make the wood grain an admirable artistic detail, interpreting the concept of creation of "exquisite materials, art, and craftsmanship."


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