「The word "Changwu" comes from Wen Zhenheng's "Changwu Zhi" which marks the aesthetics of life. Wen Zhenheng used "long things" to convey his message, and the literati's ultimate pursuit of elegant life was hidden in the utensils and uses. Now, we mention "Long Wu Zhi" again, aiming to continue this line of elegance. We respond to the aesthetic ideals of the ancients with the contemporary "long·art·jing". The third generation of Dajinghua modern Chinese style uses Ultra "long" table to spread the rhythm of space ; Demonstrate contemporary ingenuity with exquisite "artistic" mosaics ; The use of utensils is not only for use, but also for creating a long and quiet artistic "statement". From the philosophy of "growing things" in ancient books to the current space of "growing art and realm", we use "growing" things to carry "art" and finally reach the "land" where the heart returns.
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When the phoenixes join their tails and form a ring, and gracefully freeze on the cabinet door, a round dance spanning a thousand years is completed. It is not as flamboyant as the traditional phoenix pattern, but the elegance is condensed into a round shape, with the head and tail connected, and it is endless. This totem, between the regular squares and circles, contains the Eastern's most profound imagination of "perfection". The cabinet is no longer just a storage device, but has become a miniature universe, housing our understanding of order, reincarnation and auspiciousness.……
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「The "Moon Screen" bed adopts the logic of elements such as Chinese symmetrical screens/bedside rails/clothing stringers: it uses a symmetrical and regular shape to create a "centered and peaceful" charm and continues the "left and right balance" layout; It not only retains the functional and aesthetic genes of oriental furniture to "enclose a quiet resting space" ; 「The "Cloud Ridge" bed captures the poetic flavor from the patterns of classical utensils, extracts the smart arc of the "brain-shaped" official hat chair and the soft image of the curling cloud pattern, but breaks through the constraints of traditional shapes and creates the Oriental aesthetic gene of "shaping the environment with lines".
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Why is it that our culture is full of admirations such as "clapping the table in surprise", "clapping the table in amazement", "shutting down at the desk and writing"... but never resonates with "slapping the table"? Why did the ancients attach great importance to the crime and neglect the table?
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Home is not only about aesthetics and functionality, but also needs to adapt to diverse life scenarios. The ubiquitous customization thinking uses the intangible to overcome the tangible, explaining Dajinghua's deep consideration of home. When the living space begins to dialogue with the spiritual world of the occupants, it transforms from a simple "dwelling" into a "home" that is a spiritual container that reflects the attitude towards life and supports the quality of life.
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Drawing on the essence of chess and chess, and inspired by "the chess moves are determined and the moves are made without regrets", the images of the chessboard and chess pieces are transformed into spatial aesthetics. Integrate multiple design elements to create a unique space item, integrating calm and calm temperament into the design.
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